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NEWS

PEGA MONSTRO ANNOUNCE NEW ALBUM, HAVE A FIRST LISTEN!

21 March 2017

Fantastic news! Portuguese dream-punk sisters Pega Monstro have a brand new album entitled 'Casa de Cima' planned for release on June 2nd. You can hear the immense 'Partir a Loica' taken from the album now as Loud & Quiet have just premiered the track. 'Casa de Cima' by Pega Monstro will be released on LP, CD and digitally through Upset The Rhythm & Cafetra Records and is available to pre-order now!

BAMBOO - NEW ALBUM ANNOUNCED!

6 March 2017

Very pleased to announce today that our pre-order link is now live for our upcoming new album by BAMBOO. The extraordinary album is entitled 'The Dragon Flies Away' and weaves Japanese/Korean folkloric myths into the personal fabric of being. Released on May 26th, the album is available to order on transparent blue vinyl and digipak CD as of now!

XIU XIU - FORGET RELEASED!

24 February 2017

Today we're thrilled to help shepherd Xiu Xiu's new album Forget out into the wider world. It's a total heart-quake of an album and we're extremely proud to be involved with its release. Forget was produced by John Congleton, Greg Saunier of Deerhoof and Xiu Xiu's own Angela Seo. Plus, it features guest appearances by fabled minimalist composer Charlemagne Palestine, L.A. Banjee Ball superstar commentator Enyce Smith, Swans guitar virtuoso Kristof Hahn and legendary drag artist and personal hero of Xiu Xiu, Vaginal Davis. Forget is available on LP, CD and digitally in shops worldwide as of today, including from us directly through our webshop!

STREAM 'FORGET' BY XIU XIU

21 February 2017

Our forthcoming Xiu Xiu album entitled 'Forget' is available to stream through Noisey now. 'Forget' will be released this Friday!

News archive

LATEST RELEASES MIXTAPE

LINKS

UPCOMING SHOWS

WOLF EYES

'Undertow' Album launch

MUMDANCE

GUTTERSNIPE

DJ sets from:

KEMAA(Berceuse Heroique/Ancient Monarchy)

Paco (La Vida Es Un Mus)

General Echo Sound System

Arcola B2B TFTD

Friday 24 March

EXFED

Unit 4, 199 Eade Road, Manor House, London, N4 1DN | Map
8pm | £12.00 | Buy tickets

WOLF EYES are the USA's longest-running homemade, primitive, electronic, poetry & radical vibes trio. They don't just release albums they launch scotched, taped nuclear audio fronts on humanity. Wolf Eyes dropped a behemoth of a record last year with 'I Am A Problem: Mind In Pieces' on Jack White's Third Man Records, but this time they are switching things up in more ways than one for their forthcoming 'Undertow' album. The Detroit dark ambient sculptors are launching a new imprint called Lower Floor Music, and the album will be the first release on the label. The first foray into the new album is the title track, which is self-described as a "sea-bottom R&B sound lurch" featuring ambient synth and haunting spoken vocals. This show acts as an official album launch, celebrating the release of 'Undertow' into the world.

MUMDANCE has built a reputation as one of the world's most inventive DJs and producers, drawing from sounds from across the world but always putting his own unique spin on them. His early days as a producer saw him collaborate with big names from both Europe (Brodinski, Jammer, Skepta) and further afield, such as Mexican legend Toy Selectah, Brazilian groups Bondo Do Role and Banda Uo, and later Egyptian mahraganat icon Sadat. In 2013, following a two-year hiatus from original music, Mumdance released his most critically acclaimed music to date. His 2013 mixtape Twists & Turns was named FACT Magazine's best album of the year, while his collaborations with Novelist, 'Take Time' and '1 Sec' (released on legendary label XL Recordings), mark two of the biggest anthems from grime's recent revival, and topped end of year charts from Resident Advisor, Mixmag, FACT, Dummy, Noisey and more. Recently Mumdance has also launched Different Circles, his record label with Logos that specialises in 'weightless' - an already-influential combination of grime, techno, ambient music, sound design and more, and collaborated with artists such as Micachu, Pinch, AJ Tracey and Nozinja. For this performance Mumdance will present a new set of modular synth workouts.

GUTTERSNIPE are a Leeds drums/guitar duo who dive straight into a cauldron of hellish improv-skronk, paint-stripping abstract noise and nightmarishly deconstructed sonic catharsis - imagine the esoteric mayhem of Angel Blood combined with the venue-destroying psychic power of early Boredoms and Naked City, and you ain't even close. Comprising the duo of Xylocopa Violacea and Bdallophytum, if Guttersnipe don't blow away your cobwebs, nothing will.

MARY OCHER

BAMBOO

MOONBOW

Wednesday 5 April

The Islington

1 Tolpuddle Street, Angel, London, N1 0XT | Map
7.30pm | £6.00 | Buy tickets

MARY OCHER was born Mariya Ocheretianskaya in Moscow in 1986, she moved to Israel with her family at age four, then to Berlin at 20. In 2011 she caught the attention of the inimitable King Khan at a karaoke bar (he also lives in Berlin), and she recorded what's still her most recent full-length of new material, 2013's Eden, at his Moon Studios. He's not her only famous fan either: Karen O of the Yeah Yeah Yeahs contributed a quote to Ocher's press kit. "Mary Ocher gives me the chills," she says. "She frightens me with her feral soul. Her sound is of a true outsider artist, immaculately self-possessed". Her DIY roots and anything-goes aesthetic notwithstanding, Ocher is obviously too well-connected to qualify as an outsider. Ocher's songs are a diverse bunch ranging from ghostly noise, sad but jaunty piano ballads, frisky strumming, echoing ersatz funk to chintzy drum machine workouts with vacuum-cleaner synth. Ocher herself seems to have as many faces as a vaudeville performer: her multifarious singing leaps without warning from unhinged keening to warped drawling or from wobbly muttering to blustery declaiming. Forthcoming album, 'The West Against The People' has been produced with Faust's Hans Joachim Irmler and also features tracks with Ocher's drummers (duo Your Government) as well as collaborations with avant-garde legends Die Todliche Doris, Felix Kubin and Julia Kent of Rasputina/Antony and The Johnsons. It's out March 10 on krautrock label Klangbad.

BAMBOO is the sublime project from Nick Carlisle (of Peepholes, Don't Argue) and Rachel Horwood (of Trash Kit, Halo Halo). Their music is vivid and deeply poignant, locking into a magnetic attraction between Rachel's flawlessly resonant folk cadence and Nick's pristine synth pop production. Bamboo's second studio album, The Dragon Flies Away, is due 26th May on Upset The Rhythm on LP, CD and digitally. Initially released last winter on a limited run of 50 cassettes with an accompanying zine designed by Horwood, The Dragon Flies Away tells a story loosely associated with the Hannya demon mask of Noh theatre plays such as Dojoji, and reflects the range of emotion the Hannya mask is capable of displaying: obsession, jealousy, sorrow and rage. 'The Dragon Flies Away' presents its story in two acts and is now presented newly re-mastered with a gatefold sleeve and lyric / artwork sheet. Horwood's evocative paintings are given centre stage with the packaging, allowing the album's story to grow beyond sound, making the journey all the more immersive.

MOONBOW is the sonic brainchild of London multimedia artist Eleanor Hardwick. Growing up in the countryside on the peripheries of one of the UK's many forgotten commuter towns, she channels themes of manmade dystopias' invasion on natural spheres into her audio and visual artistic output. Such outputs served as a refuge from growing up in a place where not much happened and not many people connected with her - whilst cyberspace became both a platform for connecting with other lost souls, and a window into a world that she witnessed elsewhere was slowly politically and environmentally decaying. i-D described her songs as "taking influence from William Orbit-era Madonna guitar and Kate Bush vocals, brought right up to date with layers upon layers of synths and glitchy samples".

RAT COLUMNS

Wednesday 19 April

The Lexington

96-98 Pentonville Road, Islington, N1 9JB | Map
7.30pm | £6.00 | Buy tickets

RAT COLUMNS is the mutable musical project of David West, an artist as prolific as he is diverse in his output. West is the driving force behind the groups Rank/Xerox, Liberation and Lace Curtain, he was also a member of Total Control, and most recently debuted a solo album proper. Whether its forward-facing punk or turning his hand to crafting sleek prisms of pop, West's credentials check out. Rat Columns is no exception, always central to his vision and returned to many times since its inception in Perth almost a decade ago. Over the years the band has morphed and continued with an array of different friends from the USA and Australia, always finding David West dancing through the long shadows at its core. Working with many distinguished underground imprints including Blackest Ever Black, Adagio 830, Smart Guy Records and RIP Society, Rat Columns have left in their wake a trail of 7"s, EPs and two full length albums. Now a third album, entitled 'Candle Power' is cued for release through Upset The Rhythm. 'Candle Power' is packed full of chiming guitar pop, cutting in with moments of soul, disco and experimental plots.

OOIOO

Thursday 20 April

Kamio

3 Rivington Street, London, EC2A 3JL | Map
8pm | £12.00 | Buy tickets

OOIOO has always created a musical language all its own. Under the leadership of Yoshimi, also a founding member of Boredoms, the group has recorded six albums that have subverted expectations and warped perceptions of what constitutes pop and experimental music. Four years of work went into to making Gamel, their bold new album inspired by the Javanese style of gamelan and the first new music from Yoshimi in over five years. Gamelan is an ancient form that has inspired a great many composers and musicians over the past century, from Erik Satie and Claude Debussy to Mouse on Mars and Sun City Girls. The introduction of this traditional form transformed the group into a super tribe, side-stepping the road between the past and the future. Their focus is not to replicate these ancient styles, but to incorporate them into their consistently inventive, constantly shifting musical frameworks. They take their love of indigenous music into an entirely new dimension by freely weaving organic and electric tones into a vivid tapestry, employing their keen sense of color and texture.

Yoshimi began her music career in 1986 playing drums in UFO or Die with vocalist Eye, and later joined him in the revolutionary noise-pop group Boredoms. Her explosive drum performances captivated audiences and even inspired Wayne Coyne to name a now-famous Flaming Lips album in her honor. While the band's tours of the United States are infrequent, they are as the New York Times has stated, transcendent.

DANIEL BACHMAN

JAKE XERXES FUSSELL

Monday 1 May

Cafe Oto

22 Ashwin Street, Dalston, E8 3DL | Map
8pm | £7.00 | Buy tickets

DANIEL BACHMAN is a 6-string and lap guitar player from Fredericksburg, Virginia currently living in Chapel Hill, North Carolina. From 2008 to present he's been releasing material of almost exclusively an instrumental nature while touring everywhere from Istanbul to Los Angeles. He has been playing what he describes as "psychedelic appalachia" since he was a teenager, releasing small run editions of tapes, CDs and LPs for the past three years, with a sound that evolved from drones and banjos to a now guitar centered focus. Touring off and on since the age of 17, Bachman has managed to cover thorough ground across the US, sharing stages with like-minded folk such as fellow Fredericksburg native Jack Rose, for whom he fashioned the artwork for the posthumous release of 'Luck In The Valley'. His newest effort is himself-titled LP on Three Lobed Recordings, his eighth solo album to date. It's his most thoughtful release to date, filled with mindful reflection and confident patience. Even during his snappiest songs, Bachman takes time to consider where he is and where he's going. When his pace starts to rush, he pulls back, ringing out a long chord or even stopping completely to avoid just going with the flow. Bachman takes the listener on an aural journey through the back roads of the foothills of the blue-ridge to calm coastal waters.

JAKE XERXES FUSSELL is a singer and guitarist from Durham, North Carolina. His self-titled debut record, produced by and featuring William Tyler, transmuted ten arcane folk and blues tunes into vibey cosmic laments and crooked rambles. Jake Xerxes (yes, that's his real middle name, after Georgia potter D.X. Gordy) grew up in Columbus, Georgia, son of Fred C. Fussell, a folklorist, curator, and photographer. Fred's fieldwork took him, often with young Jake in tow, across the Southeast documenting traditional vernacular culture, which included recording blues and old-time musicians with fellow folklorists and recordists George Mitchell and Art Rosenbaum (which led Jake to music, and to some of the songs herein) and collaborating with American Indian artists (which led Jake eventually to his graduate research on Choctaw fiddlers.) Fussell's new album, 'What in the Natural World' on Paradise of Bachelors takes the form of transmogrified folk/blues koans. This time these radiant ancient tunes tone several shades darker while amplifying their absurdist humour, illuminating our national, and psychic, predicaments.

EX-CULT

Wednesday 3 May

The Lexington

96-98 Pentonville Road, Islington, N1 9JB | Map
7.30pm | £7.00 | Buy tickets

EX-CULT are a Memphis-based punk cyclone, releasing batches of bruising records and laying waste to everywhere they play. Chris Shaw lends a sneering, spitting toughness to the proceedings while the band flays riffs in loose, hairy mosh inducing menace behind him, touching on post-punk, psych sprawl, and early 80's hardcore while remaining beholden to none. They have the power to convert even the most jaded and bored concertgoer into a sweaty mess in the pit. Having released two albums of adrenal-enhancing sluggers through Goner Records, last year saw Ex-Cult releasing 'Negative Growth' on In The Red. This collection of songs were conceived in Memphis and finalized in Los Angeles, with the help of family doctor Ty Segall. It was created in February 2016, when the band traded Memphis misery for a week of California sunshine. 'Negative Growth' is a nine-track nightmare, a death trip in the crystal ship and dedicated to fear and deception.

IAN WILLIAM CRAIG

RESINA

Monday 8 May

OSLO

1a Amhurst Road, Hackney, London, E8 1LL | Map
7.30pm | £10.00 | Buy tickets

IAN WILLIAM CRAIG is a sound artist, award-winning printmaker, classically-trained vocalist, writer, photographer, composer and performer, who currently resides in Vancouver. His visual and sonic research has been exhibited and published internationally, and he has participated in various residencies and performances across his native Canada and beyond. Drawing out analogies between his dual practices of music and print-making, Ian's work is deeply informed by a narrative of impermanence, "notions of life as an act of becoming, and beauty within degradation and deterioration". Blending choral, ambient and noise influences together into this customised array of tape decks, Craig moves you over shifting tectonic plates of operatic improvisations, fields of tape hiss and haunting pastoral melodies. Running on a combination of classical vocal training and process-based uncertainty, his music delivers an elegant balance between theatrical and ambient sentiments, by combining the essence of a choral album from Angel Records or Deutsche Grammophon with the distorted spontaneity of experimental home-recording and the likes of Fennesz or William Basinski.

After moving to Vancouver following his studies, Ian began creating albums from his new home. His first recordings were digitally self-released via Bandcamp between 2011 and 2013. Stunningly textured and vaporous, the majority of these releases are largely voiceless. It was when Craig turned to his background in musical theatre, avant-classical orchestration and the choral tradition for A Forgetting Place (2013) and his first two physical releases, A Turn of Breath (2014) and Cradle for the Wanting (2015), where the real breakthrough would be made, with Ian's voice rising firmly to the fore. Both latter albums were issued by the excellent Californian label Recital Program to widespread critical acclaim, his latest album 'Centres' came out last year through FatCat's 130701 imprint (Max Richter, Hauschka, Dustin O'Halloran, Johann Johannsson, etc).

RESINA Resina is the alias of Karolina Rec, a cellist and composer based in Warsaw, Poland. Born 1982, Karolina graduated from the Music Academy in Gdansk and the University of Gdansk. Active in Poland's independent music scene since the late '00s, she was co-founder / collaborator of some of Poland's most influential alternative bands: Kings of Caramel, Cieslak and Princess, Nathalie And The Loners, Anthony Chorale and more. She has featured on numerous album releases and soundtracks (including the Oscar-nominated 'Rabbit a la Berlin'), and has been the author of a dozen music productions for theatre. A compulsive live artist, Karolina's style is primarily characterized by personal language of improvisation and alternative approach to melody. She has collaborated with Scott McCloud, Paul Brody, Piotr Kurek, Coldair, Scianka and many other artists.

Resina was signed to 130701 in February 2016, having sent in a hugely impressive demo. Her self-titled debut album is a result of experiments with cello and simple electronic tools - sometimes close to the form of song; sometimes based more on powerful, intuitive impressions but always marked by the desire to use non-obvious characteristics of the instrument. It is set for release later in 2016.

DUCKTAILS

JAMES FERRARO

SPENCER CLARK

Friday 12 May

The Lexington

96-98 Pentonville Road, Islington, N1 9JB | Map
7.30pm | £10.00 | Buy tickets

XIU XIU

Monday 22 May

Kamio

3 Rivington Street, London, EC2A 3JL | Map
8pm | £12.00 | Buy tickets

XIU XIU is Shayna Dunkelman, Angela Seo and Jamie "Butch Jenny" Stewart. Starting in isolation in San Jose, California in 2002, Xiu Xiu has relentlessly toured all over the world since. Over the course of 15 7"s, five EPs, six collaboration albums and ten full lengths Xiu Xiu has never shied away from any topic that is honest and meaningful to them. Their songs are about gender dysphoria, suicide, loneliness, going insane, child soldiers, the tsunami in Indonesia, hideous sex, the Sanrio character Pandapple, abortion politics, incest, cats, queer life and the individual responsibility of U.S. military. Somehow within all of this, cuteness attempts to find a way to embrace death and horrible emotion. The music is drawn from British post punk and synth pop, modern Western classical, noise and experimental musics, Asian percussion musics, American folk, torch singers, house, techno and 1950s rock n roll. Xiu Xiu have been called "self flagellating", "harsh", "brutal", "shocking" and "perverse" but also "genius", "brilliant", "unique", "imaginative" and "luminous."

New album Forget will be released this February through Upset The Rhythm. The album was produced by John Congleton (Blondie, Sigur Ros), Greg Saunier of Deerhoof and Xiu Xiu's own Angela Seo. It features guest appearances by fabled minimalist composer Charlemagne Palestine, L.A. Banjee Ball superstar commentator Enyce Smith, Swans guitar virtuoso Kristof Hahn and legendary drag artist and personal hero of Xiu Xiu, Vaginal Davis.

PRIESTS

TRASH KIT

THE SNIVELLERS

Thursday 25 May

OSLO

1a Amhurst Road, Hackney, London, E8 1LL | Map
7.30pm | £8.00 | Buy tickets

This show was originally at The Victoria, original tickets still valid.

PRIESTS are Daniele Daniele (drums), Katie Alice Greer (vocals), G.L. Jaguar (guitar), and Taylor Mulitz (bass). Formed in 2011 in Washington DC, the band has proven a valuable force for strangeness in a city that is increasingly terraformed by norms. At a time when few groups were making serious moves beyond the Beltway, Priests toured throughout North America and Europe. More significantly, they've helped to raise the general standard of show-going at home through cassettes and singles released on Sister Polygon, including music by bands like Sneaks, Snail Mail, Pinkwash, Cigarette, Downtown Boys, and numerous Priests-affiliated groups like Gauche and Flasher. Still, even amidst thriving hometown creativity, Priests possess a singular gravity. They are physical and combustible, urgent and visceral. This January, Nothing Feels Natural, the band's first full length LP was released on their own label Sister Polygon Records. It's the bands most stylistically diverse set of songs to date, expanding on their lo-fi post-punk bona-fides with ideas drawn from pop, R&B, and industrial noise. Thematically, Nothing can be understood as a series of vignettes - nine stories that crystallize into a bigger picture about the economics of human relationships, the invisibility of feminized labor, and the dual purpose of art for both the group and the individual. It's a record that thrives amid the tension between that what is valued and what is dismissed; between what is desired and what is presented.

NOTS

Wednesday 7 June

Cafe Oto

22 Ashwin Street, Dalston, E8 3DL | Map
8pm | £8.00 | Buy tickets

NOTS are a 4 piece, all XX, "nuevo no wavo" band from Memphis, TN. Unpredictable guitars, celestial synths, and punctuated vocals swirl around the repetition of a powerful rhythm section to form a sound and a live show not easily classifiable but entirely addictive. Drummer Charlotte Watson and guitarist / frontwoman Natalie Hoffmann are the band's two constants throughout a handful of roster changes. NOTS' current lineup also includes Alexandra Eastburn on synth, an instrument she picked up to join NOTS and to record on their first full-length LP We Are Nots, and bassist Meredith Lones, another new Memphis musician, and the most recent addition to the band. NOTS' newest punk-noise-psych-collision LP, Cosmetic, aggressively follows on the heels of their debut LP, foreshadowing an ever expanding experiment in direction of things to come for the band. NOTS have releases on Heavenly & Goner Records, plus a brand new live 7" on Third Man.

TERRY

Friday 30 June

The Lexington

96-98 Pentonville Road, Islington, N1 9JB | Map
7.30pm | £8.00 | Buy tickets

TERRY is getting ready, combing his hair, buttoning his jacket, turning the key in the door. "I'm doing fine," sings Terry out loud, he knows. Divide him into four and you get Al Montfort (UV Race, Total Control, Dick Diver etc.), Amy Hill (Constant Mongrel, School Of Radiant Living), Xanthe Waite (Primo, Mick Harvey Band) and Zephyr Pavey (Eastlink, Total Control, Russell Street Bombings). Inevitably, Terry likes to make a noise. Drums, guitars and all his voices come into play, making a solid raft for Terry's inner musings to navigate the languid rapids. This all unravels at its own pace, sometimes drifting into glam pop and country backwaters, always conducting a conversation with the commonplace. Love is a highway, but you're not likely to find Terry there anymore. He's on the plane. Terry saw the light, he put on his sunhat and is heading to Europe. Debut album, 'Terry HQ' was released last year by Upset The Rhythm, look out for a new album around this tour!

SPRAY PAINT

THE REBEL

Tuesday 15 August

The Lexington

96-98 Pentonville Road, Islington, N1 9JB | Map
7.30pm | £7.00 | Buy tickets

SPRAY PAINT are a no wave punk outfit from Austin, Texas made up of Chris Stephenson (drums/vocals), Cory Plump (guitar/vocals) and George Dishner (guitar/vocals). Spray Paint's buzz-sawing guitars run headlong through labyrinthine tunnels of reverb, chased down by some wildly brain-bashing drums. All three members of Spray Paint sing too, helping create an uncontrollable sense of fervour as they jostle for the words. They work up a tone of paranoia amid the jagged rhythms, locking into a motoric groove that's impossible to escape from, offset with stormy blasts of distortion. Since forming in 2012, Spray Paint have released six LPs and 7"s through SS-Records, Goner, Upset The Rhythm and Monofonus Press. They've wasted no time with hitting the road either, touring the US many times, with their friends Protomartyr and The Rebel.

THE REBEL is prolific London outsider Ben Wallers; a charismatic lone wolf in a cowboy hat or trilby and a tie whose electrified howls are too idiosyncratic to be broken down into market-oriented terms. It is difficult to sketch a thumbnail summary of a musician who has amassed a vast and unwieldy discography under a variety of names and genres: the most widely acclaimed is probably the Country Teasers, but he also moonlights as, or in, the Rebel, the Company, the Male Nurse, the Beale, the Stallion, the Black Poodle and Skills on Ampex, across folk, country, garage, post-punk, no wave and electronic pop. In the main part The Rebel is centred around twisted Casio drones, clanging guitar and some defiantly deadpan vocals, all thrown in the pan and pressure-cooked in Wallers' mind. Wallers has amassed a near-unquantifiable discography over the past 20 years, from scores of more or less "official" LPs, EPs and 7"s to seemingly endless self-released cassettes.

NAP EYES

Thursday 31 August

Bethnal Green Working Men's Club

44-46 Pollard Row, Bethnal Green, E2 6NB | Map
7.30pm | £8.00 | Buy tickets

NAP EYES hail from Nova Scotia and make crooked, literate guitar pop refracted through the gray Halifax rain. Recorded live to tape with no overdubs, their songs are equal parts shambling and sophisticated, with one eye on the dirt and one trained on the starry firmament, inhabiting a skewed world where odes to NASA and the Earth's magnetic field coexist easily with lyrics about insomnia and drinking too much. In the world of Nap Eyes, workaday details punctuate (and puncture) cosmic concerns, as songwriter, singer, and rhythm guitarist Nigel Chapman wrestles with air and angels, struggling (and often failing) to reconcile the Romantic rifts, both real and imagined, that define our lives: between chaos and order; solipsism and fellowship; the anxiety of social (dis)orders both big and small; and the various intersections and oppositions of religion, art, and science. It's the sound of being young and alive in the city, a tenuous and impermanent counterpoise of recklessness and anxiety, archness and earnestness. Following the reissue of their 2014 debut 'Whine of the Mystic' on Paradise of Bachelors, Nap Eyes released an album of all-new material entitled 'Thought Rock Fish Scale' last year, following that up with two incredible London shows!

DEERHOOF

Monday 4 September

Village Underground

NB. This is the new date for Deerhoof's postponed Feb 6th show, original tickets remain valid

54 Holywell Lane, Shoreditch, London, EC2A 3PQ | Map
7.30pm | £14.00 | Buy tickets

DEERHOOF are an alchemy of '77 punk, pop, glam, hair metal, doo-wop, hip hop, and R&B, late-night car rides, long days, spandex, shadows, and attitude. Poetry into noise, volume knobs into pleasure, friendship into rock band.Twenty years deep into their career it's safe to describe them as legends of the American underground, releasing 14 albums and treating the world to their never-the-same-twice thrill-ride of a live show. Recent album 'The Magic' is out now on Upset The Rhythm, it is a mixtape imbued with Deerhoof's sorcery; boldness, wonder, technical know-how, risk. A mixtape by the kid with the biggest music collection you've ever seen, who will take you camping and show you how to pull a rabbit out of a hat. Are Deerhoof the greatest live band in the world? If you shake the Magic 8-ball, "all signs point to yes"!

UPCOMING RELEASES

PEGA MONSTRO

'Casa de Cima'

UTR094 | CD/LP | Pre-order

BAMBOO

'The Dragon Flies Away'

UTR088 | CD/LP | Pre-order

FEATURE

'Banishing Ritual'

UTR093 | LP | Pre-order

RAT COLUMNS

'Candle Power'

UTR089 | CD/LP | Pre-order

LATEST RELEASES

XIU XIU

'FORGET'

UTR091 | CD/LP | Buy

VEXX

'Wild Hunt'

UTR086 | CD/LP | Buy

TERRY

'8 Girls'

UTR092 | 7" | Buy

RAVIOLI ME AWAY

'Living Is A Myth'

UTR087 | LP | Buy

RATTLE

'Rattle'

UTR082 | CD/LP | Buy

TERRY

'TERRY HQ'

UTR084 | CD/LP | Buy

DEERHOOF

'The Magic'

UTR085 | CD/LP | Buy

THE WORLD

'Managerial Material' EP

UTR080 | 7" | Buy

DOG CHOCOLATE

'Snack Fans'

UTR077 | LP | Buy

BAMBOO

'Hexagonal / Diamond Springs'

UTR083 | Digital single | Buy

BAMBOO

'Be Brothers'

UTR081 | Digital single | Buy

SAUNA YOUTH

'The Bridge'

UTR079 | 7" | Buy

THE WHARVES

'Naz / My Will'

UTR078 | 7" | Buy

NORMIL HAWAIIANS

'Return Of The Ranters'

UTR076 | CD / LP | Buy

BAMBOO

'Prince Pansori Priestess'

UTR075 | CD / LP | Buy

TERRY

'Talk About Terry'

UTR074 | 7" | Buy

SAUNA YOUTH / MONOTONY

'Split'

UTR073 | 7" | Buy

PEGA MONSTRO

'Alfarroba'

UTR072 | CD / LP | Buy

SAUNA YOUTH

'Distractions'

UTR071 | CD / LP | Buy

WETDOG

'Divine Times'

UTR070 | CD / LP | Buy

DEERHOOF

'La Isla Bonita'

UTR069 | CD / LP | Buy

VEXX

'Vexx'

UTR068 | CD / LP | Buy